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Aar Paar was Abrar’s first film as a dialogue writer and his work here is particularly impressive. Aar Paar is a unique film that could be classified into ‘comic noir’ – a suspense thriller with loads of light moments.Īar Paar marked the first collaboration between Guru Dutt and Abrar Alvi, who later made Sahib Bibi Aur Ghulam. Even when Kalu is heartbroken after Nikki does not elope with him, he continues to love her and sticks by her. With songs like “Babuji Dheere Chalna” and “Hun Abhi Main Jawan”, her seductive personality leaves Kalu spellbound, but not enough that he could let go of his love. Guru Dutt’s Kalu Birju is an uncomplicated man who is far from the nuanced on-screen image that we often associate with Dutt.Īt the villain’s den, Kalu meets a dancer (Shakila) who is trying her best to make him fall in love with her. The fake bank robbery sequence is extremely clever as the audience does not even realise that this is a mock robbery until the sequence ends. In trying to deliver a co-prisoner’s coded message, Kalu gets involved with some criminals, who unbeknownst to him are trying to rob a bank. While Kalu’s life is filled with rainbows on this end, he has something else going on as well. As passers-by witness their chemistry, a woman sings “Kabhi Aar Kabhi Paar” and love starts to blossom. As Kalu starts looking for a job, he runs into Nikki (Shyama) and we witness one of the most adorable meet-cutes in Hindi cinema.
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The Dutt directorial is so delightful in its presentation that you can’t help but smile at the antics of its characters.Īar Paar starts with Kalu Birju (Dutt) who is in prison for rash driving but his good conduct has gotten him off two months early. Starring Guru Dutt, Shyama and Shakila in lead roles, Aar Paar is a charming film that’s primarily a love story with a hint of suspense thrown into it. Filmmakers, no matter how diverse they might be, are often remembered for their particular styles or genres so when I recently watched Guru Dutt’s 1954 film Aar Paar, I was surprised at the light-heartedness of the film that effortlessly swings between comedy and noir, styles that are not necessarily associated with Dutt.